TruaceTracing the truth around AITuesday, July 21, 2026
TRV-2026-0394Certified recordPeer-reviewed

Garbage in, garbage out? How the monster of AI art reflects human fault, bias, and capitalism in contemporary culture

Abstract This paper examines the relationship between artificial intelligence, contemporary artistic production and content creation through an intersectional feminist framework, arguing that AI operates as a reflective system that reproduces and amplifies existing social, economic, and cultural biases. Beginning with examples of AI artistic collaborations such as 'What I Saw Before the Darkness', and 'Théâtre D'opéra Spatial' the research investigates how generative AI exposes underlying tensions surrounding cr…

Labor · P Space — documented harm · certified 2026-07-20 · v1 · article view · machine-readable

Current reading — problem

Generative art systems accelerate inequities in visual arts by appropriating intellectual property from marginalised artists and reinforcing Eurocentric and gendered commodification.

What this doesn’t fix

Findings are bounded by current model capabilities, which the paper notes are limited to replicating established styles rather than producing novel aesthetics.

Evidence

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Truvace Impact Record TRV-2026-0394, v1: “Garbage in, garbage out? How the monster of AI art reflects human fault, bias, and capitalism in contemporary culture.” Truvace, 2026-07-20. /record/TRV-2026-0394 (accessed at citation time). sha256 c7001917750171c6

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