Media & Arts

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Novelist accused of using AI to write book removed from French prize list
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Novelist accused of using AI to write book removed from French prize list

The organisers of France’s most prestigious literary prize said they had removed a critically acclaimed novel by a Canadian-Haitian writer from the longlist after an anonymous online account claimed the book was “almost entirely” written by AI. The Académie Goncourt, a Paris-based literary organisation, said on Friday its decision to withdraw Thélyson Orélien’s novel C’était ça ou mourir (It Was That or Die) was “driven by the desire to preserve the integrity of the Goncourt prize and the academy itself, whose c…

The Guardian
Nine urges Albanese to force tech companies to compensate media in face of AI threat
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Nine urges Albanese to force tech companies to compensate media in face of AI threat

The head of Nine Entertainment has called on the prime minister to prioritise a policy to force global platforms to compensate local media as artificial intelligence-fuelled big tech disrupts the revenue models of publishers around the world. Nine’s chief executive officer, Matt Stanton, said while presenting the company’s half year financial results on Tuesday that the government’s long-awaited news bargaining incentive was at risk of further delay. “This policy is not just of great importance to Nine and the j…

Book publishers sue Google for copyright infringement over Gemini AI training
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Book publishers sue Google for copyright infringement over Gemini AI training

A group of major publishers have filed a lawsuit against Google, accusing the company of illegally using millions of copyrighted books to help build its Gemini artificial intelligence models, in “one of the most prolific infringements of copyrighted materials in history”. The case, filed in federal court in New York, has been brought by three publishers – Hachette Book Group, Cengage Learning, and Elsevier – and bestselling American author Scott Turow. The publishers argue that Google repurposed books that had b…

“It Was 80% Me, 20% AI”: Seeking Authenticity in Co-Writing with Large Language Models
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“It Was 80% Me, 20% AI”: Seeking Authenticity in Co-Writing with Large Language Models

Given the rising proliferation and diversity of AI writing assistance tools, especially those powered by large language models (LLMs), both writers and readers may have concerns about the impact of these tools on the authenticity of writing work. We examine whether and how writers want to preserve their authentic voice when co-writing with AI tools and whether personalization of AI writing support could help achieve this goal. We conducted semi-structured interviews with 19 professional writers, during which they co-wrote with both personalized and non-personalized AI writing-support tools. We supplemented writers’ perspectives with opinions from 30 avid readers about the written work co-produced with AI collected through an online survey. Our findings illuminate conceptions of authenticity in human-AI co-creation, which focus more on the process and experience of constructing creators’ authentic selves. While writers reacted positively to personalized AI writing tools, they believed the form of personalization needs to target writers’ growth and go beyond the phase of text production. Overall, readers’ responses showed less concern about human-AI co-writing. Readers could not distinguish AI-assisted work, personalized or not, from writers’ solo-written work and showed positive attitudes toward writers experimenting with new technology for creative writing.

Narrative Coherence and Distributed Authorship in Nineteen Eighty-Four and 1 the Road: A Comparative Case Study
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Narrative Coherence and Distributed Authorship in Nineteen Eighty-Four and 1 the Road: A Comparative Case Study

Generative text systems challenge established accounts of literary authorship, creative agency, and communicative intentionality. This qualitative comparative case study examines selected passages from George Orwell’s Nineteen Eighty-Four (2003) and Ross Goodwin’s 1 the Road (2018), an early sensor-driven LSTM experiment. Informed by computational creativity and posthumanist accounts of distributed cognition, the study compares the texts in relation to local cohesion, global narrative continuity, temporal and ca…