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TRV-2026-0709Certified recordJournalism

AI analysis casts doubt on Van Eyck paintings in Italian and US museums

An analysis of two paintings in museums in the US and Italy by the 15th-century Flemish artist Jan van Eyck has raised a profound question: what if neither were by Van Eyck? Saint Francis of Assisi Receiving the Stigmata, the name given to near-identical unsigned paintings hanging in the Philadelphia Museum of Art and the Royal Museums of Turin, represent two of the small number of surviving works by one of western art’s greatest masters, revered for his naturalistic portraits and religious subjects. The only pr…

Media & Arts · The Trace — both readings · certified 2026-08-09 · v1 · article view · machine-readable

Current reading — gain

AI brushstroke analysis by Art Recognition can distinguish authentic Van Eyck work, rating The Arnolfini Portrait as likely authentic.

Current reading — problem

AI analysis of two museum paintings attributed to Jan van Eyck found no detectable Van Eyck brushstrokes, casting doubt on their attribution and creating reputational risk for the holding museums.

What this doesn’t fix

Critics note painting condition and later restorations may affect AI-based brushstroke analysis, leaving uncertainty about whether negative results reflect authorship or altered surfaces.

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Truvace Impact Record TRV-2026-0709, v1: “AI analysis casts doubt on Van Eyck paintings in Italian and US museums.” Truvace, 2026-08-09. /record/TRV-2026-0709 (accessed at citation time). sha256 4090839baa96ad9b

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